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"The Chamarrita"
In this last block, and we continued descending wing geographically Province of Entre Rios and dance, The Chamarrita.
also part of the repertoire of the Oriental Republic of Uruguay and southern Brazil. At present entrerrianos consider it as the music that identifies them. Classification groups taken within the group of linked, independently, is a raging dance partner, which then becomes interdependent by four couples danced. As history tells us that the most serious work was done by Fernando Assuncao in terms of research.
The Chamarrita has to do with the people of Azone Atlantic Ocean, located on the way to America in the Gibraltar Strait.
Between 1715 and 1760, there are families Azorean immigration to Brazil. Shortly after going to Uruguay and the province of Entre Rios and Corrientes belong in search of more fertile land.
settlers brought as many other instruments, especially guitars strung with wire ropes twice.
Between dances, the chamarrita. Assuncao says that, for an Azorean, chamarrita and dance are synonymous. Carlos Vega
includes the dance and Argentine folk dance, taking several data chamarritas of Entre Rios, which are on file with the Institute of Musicology Buenos Aire.
The song itself is traditional, what matters is that maintaining the female personification of the character Chamarrita and unreliable. Linares Cardozo was known in 1960, the brothers Cuestas amilongado taxed with more pace and marking.
The Lindera, was the title of the first cham

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"San Ignacio Mini"

In the previous block we are located in Misiones and music, listen to San Ignacio Mini, where the path now takes you to the history of this place as we imagined ...! Have texts that
sacerdores Masceta José Cataldino and Simon founded in the region of Guayrá, Brazil, in 1610, the reduction of San Ignacio Mini, along with others around 1631, were constantly besieged by Portuguese slave hunters. Only the towns of San Ignacio and Loreto Our Lady of the attacks escaped immigrate Yabebirí along the river in the province of Misiones.
The town of San Ignacio was established at the site where the ruins. Like the other reductions, being destroyed by the Paraguayans.
After The ruins were restored in full in the 1940's, a situation that you can see today, accurately, the urban layout of the reduction. Do not forget that one of the objectives, the conquest and colonization in America was the evangelization of indigenous peoples.
The priests of the Society of Jesus, founded thirty villages, 7 in Brazil, 8 in Paraguay, and 15 in Argentina, the country of which 12 were in mission territory. Taking in this space
San Iganacio Mini, imagination join, geography, music and dance from such a beautiful place where land is dominated by its large red and yerba ....

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"San Ignacio Mini"

In the previous block we are located in Misiones and music, listen to San Ignacio Mini, where the path now takes you to the story of that place as we imagined ...! Texts that have
sacerdores Masceta José Cataldino and Simon founded in the region of Guayrá, Brazil, in 1610, the reduction of San Ignacio Mini, along with others around 1631, were constantly besieged by Portuguese slave hunters. Only the towns of San Ignacio and Loreto Our Lady of the attacks escaped immigrate Yabebirí along the river in the province of Misiones.
The town of San Ignacio was established at the site where the ruins. Like the other reductions, being destroyed by the Paraguayans.
After The ruins were restored in full in the 1940's, a situation that you can see today, with accuracy, the urban layout of the reduction. Do not forget that one of the objectives, the conquest and colonization in America was the evangelization of indigenous peoples.
The priests of the Society of Jesus, founded thirty villages, 7 in Brazil, 8 in Paraguay, and 15 in Argentina, the country of which 12 were in mission territory. Taking in this space
San Iganacio Mini, imagination join, geography, music and dance from such a beautiful place where land is dominated by its large red and yerba ....

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"The Legend of Homer"
now ending this space, I will tell a legend reminding, that it has more of that wonderful tradition or historical or true, it is called The Legend of Homer ... every year
the baker builds his house in the form of baked clay, which he amasses, and indefatigable builder, comes and goes constantly for days and days.
door faces north, where the wind gets warmer. Inside is a wall that protects it from weather. Horneros The couple loves and lives are very united and happy, when working on building your house, live as possessed of a joy that thrilled and excited.
The Homer flapping relentlessly harmonious with shouts and calls his partner. All these features made the Indians created the legend of the baker.
The same account that once existed in a remote place, a beautiful young woman who lived with his father and used to walk through the thick vegetation near prevailed in the same, under the admiration of judges and other natives.
But in the eyes of the judges became a small bird and flew to the top of a lapacho, thereby giving up the chief's daughter.
The legend adds that the girl he wanted, also became a bird and flew to company who, by his love, scorned the honor and command ... They say they have a nest of baker at the door of your ever is sign of good luck is it true?

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"Littoral Region"
But collecting data on this ride today it is the turn littoral region. We all know that is composed of three provinces of Entre Rios, Corrientes and Misiones, which, together, have little in common but a small stretch of the Paraná River Formosa and Chaco.
In Entre Rios, chamarritas, styles, sad and glosses. In Corrientes and Misiones are part of other cultural elements that are not registered in another region. The use of Guaraní is his speech, the polka, and dance for couples bonded, as there are no loose couple dances like the rest of our country, this is believed to be the result of the Jesuit system that keeps out the influence of dance as in other regions. In the small missions Polka also be spread throughout the territory and was established in Paraguay, and be in Brazil.
population is a descendant of immigrants where similar nineteenth century, settled in the province of the herb, associated with the accordion and evolves, it becomes adapted to the new land polkas, mazurkas and European chotis. Polka born and Rural Mission, the Mission schottis missionary and gallops, where we will hear in the mini-recital.
The nostalgia of immigrants and instruments like the accordion and polka dance above, arises Chamamé born so humble in Corrientes, but some say the nation in the Chaco.
And if we recognized spinning between traditional dances by Carlos Vega, appearing in Entre Ríos Chamarrita brought by settlers who came to Brazil, we see, land of Argentina, littoral, daughters of immigrants and creolized with the customs, different music and dance arise that enrich our folklore.

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"Means of Transport and Communication

Our space is so diverse that rescues always issues that may not speak, but our mission is to remember, as were the media and transportation. LO
transport at that time were made in stages, stopping at each post, in which passengers were 'drinking water, food, and a place of rest. In those places changed horses, which were called "Reyunos" to be owned by the king.
After 1810, coaching and horses came to belong to the herdsmen, that should be natives loyal to the cause. Some of the posts are pueblos.Las letters were traveling on horseback, carried by a postman called "pop and should be removed in public office in the area. The Chasqui played a key role in the Revolution, conveying the message of freedom to the provinces so that they elect their representatives in the new election system gobierno.La transport depended on the intention, trouble, money and travel health. Carts pulled by oxen, were used to transport more goods and carriages or galleys, pulled by horses, to transport passengers.
The other means of transportation was the ship, used for bulk cargoes. The port was just around Rocha, a suitable building was an old dream PORTEÑO, supported by appropriate DIFICULTAFES Implying landing in Buenos Aires. The heavier boats had to stay several miles offshore, and both upload and
Passengers had to be transported on carts with wheels enormous service to be paid and costly.
Some travelers prefer to land in places more conducive, as Ensenada, but should then travel to Buenos Aires on roads in poor condition. However, with the city traffic was quite important. Only in 1855, built a passenger pier was introduced about 200 miles on the River. No

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"Zamba Alegre

Since we are talking about Don Andrés Chazarreta, and Santiago del Estero Province, nothing better than to join our choreographic material through begin the second decade of the twentieth century, the restless Chazarreta so efficient, it explains the dance as expressions which he took from his home province, just Santiago, because it is a popular theme, appearing in the National Register of Intellectual Property, and in Dadaic, and its authorship, as well his letter that appeared years later in a version of the Brothers Avalos, with verses signed by them.
La Zamba Allegre is a beautiful track of Zamba, with the addition of musical Allegro-time cat.
Professor Juan de los Santos Amores was a direct student of Don Andrés Chazarreta .... In 1943, on a radio program that came on Radio Mitre, entitled "strumming in the Night" he made his first report, handing a scroll in Salamanca, which is preserved in the museum that bears his name
on 24th September the City of Santiago del Estero .. The radio show strumming in the Night, was the first space entirely devoted to the Folk Culture in its various expressions.
being heard throughout the ESRP., Where he was lucky to be visited by Manuel Acosta Villafañe, Atahualpa Yupanqui, the same Andrés Horacio Petorosi.y Chazarreta
Thus we Varela traveling this path, which allows us to join author names, dances , stories and important dates in our national music, marking this as a journey of Argentine roots.

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"Andres Chazareta "

Now the path leads you to remember a date to meet on Thursday and on April 7, where we can not fail to mention Don Andrés Chazarreta, and it was a great Argentine folk singer born in 1876 .
was author of numerous compositions for piano, guitar and vocals, and choreography Notebook descriptive of the native dances.
conducted extensive work of collection and dissemination on grounds northern folk songs, native dances and dances of the time.
was author of several musical themes such as the López Pereyra Zamba. Author
controversial because no shortage of comments on adventures by valleys, mountains and streams, where it was said that his tunes were not his own. Santiagueño of birth, where at the end of the decade of 20, dazzled the city's public company in front of his native and tuned orchestra.
In 1906, discloses "La Zamba de Vargas" at the Teatro Cervantes de Santiago del Estero, stirring to Leopoldo Lugones, writer, listening to it.
mother died at age four, was raised by his grandmother and sisters.
became a teacher and lay schools inspector is appointed. So remember Don Andrés Chazarreta, approaching another of his major works La Zamba 7 April, special date for us the speakers of our music and traditional dances.

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"El Gaucho Rivero"
Our program is fortunate to be able to relate dates and venues with our gauchos, so you can explore our history.
The year was 1833. Where he had begun a dark episode for the sovereignty of the Falkland Islands, where almost a century and a half later would be repaired. In that year the Corvette was present "Clio" of the British Army where he lowered the flag and made the British Argentina.
After the Argentine government lifted its formal protest by Manuel de Maza, London. Manuel Moreno does again on 17 June. Nothing moved, and that's where the figure of the Gaucho Rivero, pointing the direction, it would have taken years later. Antonio Rivero
entrerriano was a native who had worn the uniform of our military during the war with Brazil., Where it returns to complete its rural tereas. In 1828, by decree of government granted concessions in the East Falkland in favor of Luis Vernet. Antonio Rivero
Malvinas travels to work under the orders of Vernet. Work for Argentina was unsustainable, where our forces were evicted. Rivero and seven other military leaders humiliated reveal where Argentina restore the flag. Without support and ignoring the arts del Gobierno y diplomacia, debe alejarse de Puerto Soledad.
Gana el interior de las islas y da trabajo a los Ingleses , donde a los tres meses es detenido, llevándolo a Londres para ser juzgado.
Al no tener causa, se lo devuelve al Plata, liberado en tierra Argentina.
A partir de allí, los datos son imprecisos. Tal vez muere en la Vuelta de Obligado. El momento cumbre de Antonio Rivero, había quedado atrás al devolver el mástil en que flamea nuevamente desde el 2 de Abril, la enseña que Belgrano legó, donde los grandes nos han enseñado a amar y respetar…. ASI PASO HACIENDO HISTORIA::::

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"Cantor Popular Jorge Cafrune "

Continuing with this space so varied in terms of themes, and we travel the dance teacher's work, along with the music now take you to the song recalling the life of a popular singer and guitar as was Jorge Cafrune.
be reckoned Atahualpa confirming what he said, "The artists do not have biographies, are destiny." We will have to tell the monkeys you did, how and where, did let drop by drop the blood that you fed the canals of Jujuy and Salta, when you were little monkey in Perico del Carmen, Province of Jujuy, where he was born on 8, August 1937. How lucky that your guitar is intact, no pain, no death. Acompañándote
hugging you forever, like you're right there ... Jorge Cafrune, singer and guitar, as almost all the guys up north, with his brother picked up the guitar at age 17. At 20, he settled in Salta. That guitar
59 pesos, Cafrune remembered, always thought it sounded better than two. Lamadrid gave him his first lessons, which then begins to deal with different guitarists. Participated in several groups, also with the Choir of Voices composed Alba Huayra until he started his solo destination.
Solo guitar man and was heading to the coast. Of Uruguayan land there and then Brazil.
Cosquin reached in 1962 without contracts, they hear it in a candy store and then become a participant of the Festival. There began a nuevo peregrinar en esta senda de difusión. Amigo de los grandes. Siendo su actuación en distintos medios, radios, peñas, grabaciones, todo una fiesta.
Su primer `premio La Zamba Que seas Vos. Jorge Cafrune está vivo en su pueblo, en los paisanos que cada año reviven su afecto compartiendo recuerdos.
Benavidez Pdo. De Tigre. Primero de febrero 1978, un vehículo a gran velocidad atropelló a Cafrune y su caballo. Una noche oscura negra que tan solo puede aclararle su canto. Así hallo Jorge Cafrune su trágico final una noche aciaga, noche del verano de 1.978.

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“LaCiudad del ESteco”
Cerrando ya este espacio traditions and trying to weave with an invisible thread our way we reached a legend for what they are facts which have more belief that certain ..
In this case you chose to Esteco City ... and she tells us ...
That city is lost, because he has been punished, instead has become a lake. Everyone in this town was bad or indecent. They
Esteco the city was very beautiful, I had golden tower and the streets were affirmed with this material. The people were very proud and what was falling, even if of value, not rising from the ground. It also says that San Francisco Solano was in this city, where everyone was an atheist and made fun of the priests. San Francisco warned them was coming earthquake, a tremor at parties, and his entire city would be lost, everyone laughed and asked children to color ribbon tremor in stores to make fun of the priest.
San Francisco has asked for a place to sleep and nobody wanted to help. They say that only a very poor couple, who had a little boy, I have hosted and give their own food. San Francisco will once again warn that the city of Esteco disappear and that they alone could be saved.
also told them that the morning had to go out with him because they were the only charitable and because of that could be saved. San francisco dawn came with marriage and warned them not to turn around, hear what they hear, because those people are going to lose.
already when they were in the outskirts of town heard that sank between noise and thunder of a big earthquake and listened as people cried and cried. The man continued staring straight ahead, but the strange lady was taking her son back in his arms and turned to stone They say he sees the baby in their arms and take a step each year to the city of Salta and when you reach your destination at your destination this city is lost

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“El Lenguaje Musical”
En el bloque anterior de Por la Senda hablamos en un párrafo sobre melodías, then attach it to anything better than music.
When we hear of "Musical Language" associate it escrita.ES expression that we think of the name of the figures, who knows music figures such as round, white, black and many symbols we envision for their implementation. However
music is a universal musical language that can be interpreted by different people, beyond the language they speak ..
A baby responds to such a melody before recognized himself in the mirror. A child beats his knock-knock, before learning to read and write ... So the music requires, just hear it, then invades our body, our hearts and began to pound ..
The music itself, brings a wealth of memories, nursery rhymes, school, those songs we learned once and you are history within us. Then as time progresses, we change the tastes, rhythms and melodies, those who learned as children will be stored in the trunk of memories, until suddenly one day, return to join us.
wrap us in our field with those zambas romantic melodies that speak of lost love or simply reflect known landscapes.
So music helps us to feel, images and contents may change.
From here we invite you to explore their imagination through music different musical forms in the same dance.,,, Let yourself go and see the wonderful adventure of feeling from your heart.

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"The Dance Teacher"
Today we begin this space as we always do, always trying various topics related to our folklore, in this case I chose to PC. The task of the teacher of dance and its similarity to the teacher.
Their work is noble, dignified, social and patriotic. Same as teacher, doctor, and the different disciplines, one eleija. Not only teaches techniques and choreography, but respect and affection for his students. Transmit Argentine your message each class. AMA belies its subject matter and FEELINGS.
In each movement expresses the deepest emotions that occur each dance or melody in your heart.
This Persiva and what the student tries to imitate him first and then little by little expressing his own personality.
But beyond these virtues must be exposed, generous, kept nothing for himself. That is its mission, and this form with respect, joy and pure feeling bases are achieved for new generations. Teachers.
words teach patriotism, which should dominate the teaching and child psychology.
Then the bases of our profession Teaching is fed over time to see the development of each child, expressing choreographic techniques, thus giving him the future of his choice, or the Art Teaching. From my place there is no greater satisfaction of seeing those alumni who chose art as dancing outside Japan, Spain or Europe. Or leading national institutes. We humbly
help them develop their own artistic conditions while they mark the way of the art of dance ..

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"Argentino Luna 4"

to be closing this small tribute to a large heard singing to his homeland, we completed this report remembering who is the author of over 300 compositions that have been taxed by him and other performers, among which the most widespread are Zamba To Say Goodbye ", his first hit, Look how nice my country countryman," Look what they are things, "but the poncho is not displayed • and I'm wondering how."
Argentino Luna has been awarded "The Silver Palm," Gold El Limón, El Gardel also made of gold and the Golden Charrúa
was declared Illustrious Citizen of General Madariaga, his hometown, and the stage of the Festival Gaucho "bears his name, also the scene of the Feast of the bleeding in Indar Inés bears the name of this singer Madariaga province. Now is the time
memories he marched into a world perhaps better, there surely will find many guitar which will start implementing new songs ... here we have his voice, his lyrics, his love of country .. that he was defending homeland from his song .. we can only say you do not forget and will continue to fight from this humble place that always soñastes Patria Grande. Recalling customs. Singing. Experiences and dances. Of every town and place always defending. The life of man in field, not to abandon our traditions ... SO THIS WAY FAREWELL TO CANTOR DE Madariaga Argentino Luna.

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"Argentino Luna 3 "
the path you still counting on the life of Argentine Luna, married very young, and his wife Ana Maria had four daughters.
With his family moved to Buenos Aires, and began to frequent the places where the guitar to participate by singing a milonga, a figure, style, or telling a story that had camper who he was or where in coming. Like many other artists of our folk music, with many dreams and little money he made his way until he finally was able to meet the public.
In the beginning acted under his real name, Rodolfo Gimenez, but when he tried to tax their first album, he said it was not possible I did with that "pen" because he had already recorded another.
Les said it was not a pseudonym, but his real name, but they replied that it was necessary to encumber the name was registered, as if the brand of a product, and could not be repeated. Ç
Thus, by choice or suggestion on the label, took Argentino Luna.
poet, singer and guitarist, Argentino Luna traveled throughout Argentina and various countries, where he arrived with his guitar and his songs to make known the music of his beloved country.
was in Japan, Spain, United States, Panama, Costa Rica, Uruguay and Brasil.

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“Argentino Luna” 2
Continuando con este simple pero sincero homenaje al cantor de Madariaga, sigo contándote que…También allí tomó seguramente fue tomando conciencia de la situación de esas gentes, que en sus coplas es probable que cantarían sobre las penurias e injusticias que muchas veces debían soportar, y que después estaría presente en varias de sus canciones.
Luego los padres de Argentino Luna fueron a trabajar a Villa Gesell, en la costa atlántica, en una época en que recién asomaba como balneario.
Allí transcurrió buena parte de su niñez y adolescencia, cursó la escuela primaria, y ayudó a family with various jobs. With a cart sandbox
his father had pulled from the beach sand was laborer in construction sites, and a photographer, but whenever the opportunity arose but did what he liked, he was singing.

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"Murray Schefer Cleaning ears"

Speaking of stomping and rhythm. Accompanied by sounds for execution, nothing better than to bring a topic related to ear cleaning which was written by Murray Scheffer me ... this material facilitated in my music therapy courses to understand many things.
Then we can study the sound, just making sounds, music making music ... The challenge is to open the ears. Induced to perceive sounds, which previously had not noticed .. Have if we understand ':
Listen to the sounds of your own body, your environment and they also inject their environment. The ear unlike other sensory organs, is always exposed. Their only protection is an elaborate psychological system that filters out unwanted sounds, allowing us to focus on what we want to hear.
music and language are linked to sound, live in time, but are transmitted through space. In contrast graphic and plastic arts, living space and are transmitted in time. The downside of the musical system, is noise.
Now we talk about noise, this is an undesirable audio signal, which interferes, is the destroyer of the things we want to hear. As for the music that we use silence. Add that is the momentary absence of sound, noise protection to musical events. We mentioned earlier
sound, as an example, if I stopped talking, there is silence ... but if I start speaking again, I break the silence and come alive. So it is with music. Now for Murray Scheffer sounds there are a number he calls "Soundscape" ... is simply not to invoke the scheduled music is the difference between talking about a space and try to fill that space with objects. and gives us a theme to the tune .. he is out walking sound ... you ask this issue on our space folklore .. .. and I'll tell you in this area is important as the music that accompanies us on each choreography.

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"Murray Schefer Cleaning ears"

Speaking of stomping and rhythm. Accompanied by sounds for execution, nothing better than to bring a topic related to ear cleaning which was written by Murray Scheffer me ... this material facilitated in my music therapy courses to understand many things.
Then we can study the sound, just making sounds, music making music ... The challenge is to open the ears. Induced to perceive sounds, which previously had not noticed .. Have if we understand ':
Listen to the sounds of your own body, your environment and they also inject their environment. The ear unlike other sensory organs, is always exposed. Their only protection is an elaborate psychological system that filters out unwanted sounds, allowing us to focus on what we want to hear.
music and language are linked to sound, live in time, but are transmitted through space. In contrast graphic and plastic arts, living space and are transmitted in time. The downside of the musical system, is noise.
Now we talk about noise, this is an undesirable audio signal, which interferes, is the destroyer of the things we want to hear. As for the music that we use silence. Add that is the momentary absence of sound, noise protection to musical events. We mentioned earlier
sound, as an example, if I stopped talking, there is silence ... but if I start speaking again, I break the silence and come alive. So it is with music. Now for Murray Scheffer sounds there are a number he calls "Soundscape" ... is simply not to invoke the scheduled music is the difference between talking about a space and try to fill that space with objects. and gives us a theme to the tune .. he is out walking sound ... you ask this issue on our space folklore .. .. and I'll tell you in this area is important as the music that accompanies us on each choreography.

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"The Marote"
In this block the path takes you to the dance and its history, in this case I chose the marotte.
Dance in ancient times had a very bad reputation. The intent of the dancers made it lighthearted. It's dance season, widespread in northern version by Don Andrés Chazarreta, as did most of the dances. The dance class as couple independent releases and roguish character. Arturo
Schianca, says in his book "Historia de la Música Argentina", which is an ancient dance of the Rio de la Plata, a native of Zorongo that is, a English dance, the steps are executed in a simple, but living movements.
They dance back and forth and clapping their hands in one of their small intermediate. We said we had a bad reputation because of the form of dance. Marotte has run the same fate as the stick is more or less gives the same time, and its early development lasted less than a stick. Then they were refined to be admitted to the Creole family gatherings elsewhere.
Meaning your name is already in case. BastanteAL interpret presents part of his personality, to interpret the stomping, as they do back, then go back and forth as indicated by the performance of English dance that originated from ours.
Another figure that characterizes it and run, takes place in the middle and end of the dance, they call this "Looking marotte."
Now this marotte, is the northern version we know thanks to Andrew Chazarreta restless. We can locate this dance since the mid-nineteenth century until about 1910 .... Strong Faced in corners and castanets ... Step valseado and that is particularly slow.

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"The tap in traditional dances "
this space today to start I found it interesting deal of tapping. as choreographic expression. Then I would say ...
Most of our traditional dances or not, include in their choreography, a figure known as the "Zapateo", does his man and is reciprocated by the shaking of the lady.
is at a time when man's footwork is expressed in their own language, expressing the intentions which animate it, to sympathize, and eventually conquer pleasing companion.
Al stomp their moves is they are a series of movements that run at pace and rhythmically performed with feet and have a fixed duration, this would make seeing a gallant attitude towards it.
worth noting that the "removal" is a series of movements that are executed with their feet to the rhythm. Also, our gauchos are called "positions." These figures are achieved through movement and percussion with his feet. The percussion is ancient history in China and India., Which are even mentioned in the Quran and the sayings of Lar-TASE. Native
In Africa, taking the entire continent, there are two typical ways to keep rhythm, body movement and footwork. Throughout the history of the dances, we find two elements always linked to the beat, they are:
The clapping and stomping. In conclusion we can draw that before the invention of the oldest instruments, were the hands and feet, as stated in other areas talking about music that marked the rhythm. Among the Incas was common tap dance in the Camaruco, among the Guaraní in various dances and footwork ceremonias.En everywhere took their own forms and regional accents, environmental characteristics, climate and language, this time influenced the rhythm- Music. In this way the tap expresses a complete cycle., Na set of sound, by performers born in each region. In this whole period we call malambo.

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Dance El Prado
Drawing on the heritage of the English Trail For a Varela, now takes you to the knowledge of dance history and our faithful companion: In this case, "El Prado"., Where we say ... is an ancient dance of Buenos Aires Province, which had no greater dispersion, is named after the then English Prados. R. Ventura
Lynch mentioned and described in his book published in 1883, contemporary version is due to Sunday Lombardi, where the maestro Andrés Chazarreta then receive it in 1923.
Their classification tells us that dance partner is independent release, although it is danced in four. Character roguish, with a handkerchief dance, castanets and his step is valseado.
As Arturo Berrutti history, published a history of the Prado as a dance of Buenos Aires. Ventura
Linch, describes it this way: place the man before the woman, just start singing both walk the ball rolling his handkerchief the man, ending with castanets. Like the other has four fronts, the compass is written lends itself to the peasant class gala then stomping and brushes.
In the book "La Historia de la Música Argentina", it appears that "the English Prado gave the name of a fifth near the city where he performed the pilgrimage, which was kept fond memories of the past meetings in happy camaraderie between natives and foreigners "

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" national folklore "
Hispanic, Aboriginal, Creole Folklore Argentino
formed by successive reworkings that the people made on indigenous cultural elements, and English.
Spain came with the conquest in 1492 and was for three centuries a constant flow of cultural elements from different styles, ages and social classes ... In all this we call "Latino." American
turn, gave a great civilization, represented by the three indigenous cultures more important were the Maya. Aztecs and Incas. In this part we will call "the aboriginal."
The union of these streams, born "criollo" ... Summing Hispano - Aboriginal birth of the Creole.
This is the most complete expression of a new breed involved in the Argentine soil. This is what has been living the Indian and English, because in the field of culture none has succeeded, but both have remained.
If we refer now to the popular and folk can say that all folklore coming from the people themselves, but not what is popular folklore. To say whether a fact is folk or not, Dr. Ismael Moya tells us that it is necessary to consider some points such as:

1) The community that gathered.
2) The anonymous nature of creation.
3) The traditional character.
4) The written or oral transmission.
5) The historical and geographical perspective.
6) Their existence in contemporary culture and its transfer.
not that hard to understand right?

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"La Patria"
start today this area of \u200b\u200bthe path of Varela, doing a little reflection on the word PATRIA.
lengüística Such expression seems to us today which is a bespoken of the past, This simple phoneme experience encapsulates a whole past, present and future, it is worth analyzing and rescue in their true meaning, especially when things happen in his name "PATRIA" intend undermine what should be the conduct of every patriot and same attitude toward the Fatherland. For many years, perhaps by omission or negligence, or worse yet, an insidious ideological mix, was forgotten in part to the originator of the birth of our roots as a nation. SE was
aside in our schools deepening the study of values \u200b\u200bwith high local content, because it had understood that memory conjunction with the release of Provinces United's Rio de la Plata, the English crown, the men who previously were formed in early members of our armed forces and that definitely had described years ago, the great freedom movement. There is no doubt that the revolutionary process in May, began four years ago or in 1806 and 1807, at which Buenos Aires breaks the mold established bureaucratic to recruit troops, and puts in a few months on a war footing to nine thousand men fighting to repel the British invaders. Then appear two movements
one hand, citizenship is assembled spontaneously. On the other hand, the council deposed the viceroy and installs Sobremonte Santiago Liniers with the "roar of the masses." Thus without any plan, the Creoles became political parties and armed situation, which until then had not left the inner life of the inhabitants ... "Within our shortages and from the silence of our abandonment and withdrawal, we Thanks to Almighty for having managed to see done, our work to separate all of America from English rule "Cornelio Saavedra

Western Birthday Phrases

PROGRAM

" Chaya "Piecing together
provinces, customs and music, we have to now follow the path of dance. In this case, and Chaya is called and is related to the festival which takes place in the province of La Rioja.
This dance is not traditional, or folk but it is the ceremony called Chaya. Both the music, lyrics and choreography briefly describes the carnivalesque ritual mentioned.
In terms of classification is a roguish character dance and is classified within couples dances independent release. Dance with handkerchief and castanets, step, step valseado chaya particular.
As history professor Juan de los Santos Amores, was inspired to establish it in the feast of the chaya, which is the popular carnival in La Rioja and Catamarca. The chayeros placed bouquets of basil, drink sparkling houses, thrown starch scented with cloves, pop rockets, sing and dance vidalas chayeras traditional dances., mounted on a donkey carrying a rag doll, old and shabby, a kind of buffoon who is the character of the carnival, which they call pucllay. The wreaths decorated with carob pods, flowers and bunches of grapes where his face is silly fun throwing handfuls of starch. When the carnival ends chayeros dig a pit and between tears and gestures of grief, end the chaya, burying the pucllay.
Chaya is a ceremony, with pre-Columbian beliefs mingled with Christian beliefs, which is home to Western Carnival modo.En especially in northwestern Argentina Jujuy called "Chaya the Holidays" now well to understand just a little choreography say that it begins before the public both dancers, then makes an advance where the gentleman simulates throwing water, while your partner covers her eyes, then the reverse is the game of the lady who dips his partner as he top its face, this is done two times continuous shaking of 8 cps while the male performs a half turn spin 2cps 2cps and repeated the figure to be placed in a mirror. did you know this dance "

My Mouth Get Cuts Frequently

No. 324 No. 324 PROGRAM

Correntino
Carnival Now the path is moved to the province of Corrientes where he will discuss how they celebrate their festival ... ...
Carnival is, in the province of Corrientes, an artistic generated by the enthusiastic adhesion of the community. In the city of Corrientes, Capital of Carnival, had two distinct stages in their characteristics and modes of popular expression: 'Carnival of the Barrios, of which there are photographic records from the 20's and records of newspaper reports since the nineteenth century - which began to wane in the late fifties, and the Carnival of the groups whose first symptoms occurred in 1961 and is the one called "Carnival Correntino."
Until then, the Corsicans were parades of decorated cars and floats in the neighborhoods had their queens and princesses. The fifties was marked memorable sculptures by floats, which were without a doubt the principle of a traditional linked to Carnival, Corrientes very own. The bodybuilders in the fifties were, par excellence, the brothers Pomares, Miguez, Buscaglia, Luis Alemany, Master Ruben Vispo, Miguel Fiorio.
felt so deeply the Carnival bodybuilder who were allowed to parody their work. The whole city was waiting for the carriage humorous summarizing all that had been built for the Carnival, which themselves with other friends dressed as queens and princesses, if not living sculptures.
En1961, comparsa Ara Bera and Copacabana stormed the stage and carnival took the post that the districts had held until then.
They did under the influence of the Carnival of the city of Paso de los Libres, a mother of Carnival in Corrientes, but with a stamp that distinguished itself from the beginning.

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Photo exhibition "Between reeds Arundo donax

In this link you can see some pictures of the exhibition Among reeds:
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Images Of Response Card For Wedding In Spanish

Turtle


I have in my home this last generation fungicide that due to the long illness which he attended my wife was not possible to use. The box is sealed and the expiration date is 04/2013. Still do not know what to do with them, considering their high value and the effort we put to achieve buy would appreciate it if you need it as I got in touch with me. Of course I will not give, as the commercial value of this box of 10 units was 320 thousand pesos. But we can reach an agreement. Of course, like to see the doctor's prescription to know not to speculate with this medicine.
is Voriconazole 200mg box of 10 tablets. It is sold under the name of Vfend, Pfizer and is.
Metropolitan Region, Chile.